11:00 – Concert at Valloire church
Johann Heinrich Schmelzer (c. 1620-1680)
Sonata sesta in A major for violin and bass (Unarum Fidium, Vienna, 1664)
Ignazio Albertini (1644 – 1685)
Sonata decima in E minor for violin and basso continuo (Vienna, 1683)
Ferdinand Tobias Richter (1649 – 1711)
Toccatina in D minor for solo harpsichord
Heinrich Ignaz Franz Biber (1644 – 1704)
Sonata quinta a violino e basso, in E minor (Sonata, Salzburg, 1681)
12:00 – Promenade to chapelle Saint-Pierre
13:00 – Picnic on the alp with the musicians
14:30 – Libre cours lecture by Gaël de Kerret:
The Holy Empire, a melting pot of music styles?
16:00 – Promenade back to Valloire church
17:00 – Concert at Valloire church
Heinrich Ignaz Franz Biber
Sonata for violin and basso continuo “Representativa” in A major
Johann Heinrich Schmelzer
Sonata quarta in D major for violin and bass (Unarum Fidium, Vienna, 1664)
Alessandro Poglietti (? – 1683)
Il Rossignolo a cembalo solo (Vienna, 1676)
Georg Muffat (1653 – 1704)
Sonata in D major for violin and basso continuo (Prague, 1676)
Hélène Schmitt, violin and direction
Bruno Helstroffer, theorbo
François Guerrier, organ and harpsichord
Moravia: In the library of the Prince-Bishop of Kromeriz
Thursday July 30th Musical promenade
Far from the bustle of the Viennese court, somewhere in Moravia at the fringe of the Kingdom of Bohemia, then under Habsburg rule, there we are, in the small city of Kremsier (now Kromeriz in the Czech Republic), the residence of the Princes-Bishops of Olomouc. During his reign, from 1664 to 1695, Prince-Bishop Karl von Liechtenstein Kastelkorn, a well-read man and music lover, maintained privileged relationships with a number of musicians, notably Schmelzer, who was his musical adviser, and Biber, his first chapel master. Such was the prelate’s passion for music that he devoted considerable amounts of money to his own court music. Proof of it is a vast music collection kept in the castle library, patiently acquired from various sources, and including masses, motets, sonatas, dances and no fewer than fifty pieces for solo violin and basso continuo. Our programme takes the audience on a foray into this library, exploring whims, daydreams and meditations that go back to the second half of the 17th century.
The trio is composed of François Guerrier, harpsichordist, Bruno Helstroffer, theorbist, and Hélène Schmitt, violinist and artistic director. Passionate about baroque expression in Central Europe, Artemisia meets for very specific occasions, such as this programme of Moravian music.
First Prize for harpsichord at the Paris CNSMD in 2001, François Guerrier is also an organist. As a soloist, he is invited by such renowned festivals as la Roque d’Anthéron, Saintes, Nantes, Aix-en-Provence…He plays with chamber music ensembles as well as within major baroque orchestras (Collegium Vocale Gent, Le Poème Harmonique…) His passion for vocal music drives him to work as accompanist with Camille Poul, Damien Guillon, Isabelle Druet… or again, to participate in the Jardin des Voix of the Arts Florissants.
Together classical guitarist and theorbist, soloist and accompanist, performer and composer, Bruno Helstroffer is sought after as performer by such first-ranking conductors as Hervé Niquet, Leonardo García Alarcón, Vincent Dumestre, Raphaël Pichon, François Lazarevitch… Eager to explore all kinds of musical languages, he also plays with jazzmen (Michel Godard & Steve Swallow, David Chevallier, Jasser Haj Youssef…) or pop artists (Sapho, Moriarty).
For the biography of Hélène Schmitt:
see the page on the concert of Wednesday July 29th.
Interview Hélène Schmitt and Gaël de Kerret about the concerts performed in Valloire: